Claridge's ArtSpace - Daria Blum: Drip Drip Point Warp Spin Buckle Rot

London, United Kingdom, September 2024 – Claridge’s ArtSpace is delighted to announce the exhibition Daria Blum: Drip Drip Point Warp Spin Buckle Rot by Royal Academy Schools graduate Daria Blum, the winner of the first Claridge’s Royal Academy Schools Art Prize set to open 24 September 2024 in the heart of Mayfair. 

Multidisciplinary artist Blum graduated from the RA Schools in 2023, and her work was selected for the £30,000 award by judges Yinka Shonibare CBE, RA and Eva Rothschild RA. The award was presented by performance artist Marina Abramović and introduced by actor, author and co-host of Talk Art Russell Tovey at Claridge’s last September, bringing to life a three-year long partnership and a commitment from Claridge’s and the Maybourne Group to showcasing standout art and supporting the artistic community.

For this exciting debut, Blum will transform the John Pawson designed Claridge’s Artspace in Brook’s Mews with a dynamic and enveloping exhibition. The multimedia installation invites visitors to perceive the space differently: a metre-wide walkway on which the artist performs will follow the perimeter of the gallery space, raised above the floor; spot and theatre lights create alternating atmospheres, while a multichannel video and sound piece will direct the focus of the viewer’s attention. Live performances will take place regularly throughout the five-week exhibition run, punctuating the installation and completing it, with artist Blum taking centre stage.

In an evocative dialogue with the subterranean architecture of the gallery, the site-specific installation further evolves Blum’s research into the relationship between physical space and muscle memory, choreography and embodiment, and notions of institutional power as they relate to dance and architecture.

Daria Blum: Drip Drip Point Warp Spin Buckle Rot centres around a three-channel video work which follows Blum’s fictional character as she walks through deserted rooms and corridors of a disused 1970’s office building. The protagonist comes across a cachet of materials which she reenacts as an act of reclamation: black and white portraits of Blum’s late grandmother, the Ukrainian ballerina and choreographer Daria Nyzankiwska, archival recordings of dance rehearsals, and footage of a 2022 performance by Blum herself. Through a series of live performances, Blum further inhabits a live character who disrupts and criticises, pointing fingers at the bodies on-screen and the voices offstage.

Between the ages of three and 22, Blum trained at her mother’s ballet school in Lucerne, Switzerland, and her artistic practice continues to be influenced by methodologies of staging and choreography. Questioning how history and abstract knowledge are transmitted and contained by movement, and the ways in which the meaning of dance shifts through the bodies that perform them over time, Blum’s multi-layered, non-linear work also refers to the online circulation of popular dance trends, while drawing on texts such as Arabella Stanger’s Dancing on Violent Ground or Beatriz Colomina’s writing on architecture and sexuality.

Underscoring the narrative impulses of the work is the artist’s most recent research into early French ballet and avant-garde performance, undertaken as part of a residency at CAPC in Bordeaux, where the video was filmed. Treating classical dance as an ‘archaeological site’, Blum questioned what it means to re-perform choreographies that contain a range of misogynistic and colonial tropes and, looking specifically at how French ideals inspired Imperial Russia, she mapped a form of family tree to connect historical dance figures to her Ukrainian forebears, tracking how choreography travelled via bodies across state lines.

Against the backdrop of a decaying and declining architecture, Blum teases out an intersectional story of exchanges between bodies and buildings, each succumbing to ideals of power and regeneration.

The installation will also be supported by several of Blum’s works including sculptures and a series of photographs to be exhibited in the Claridge’s ArtSpace Café and which will be available for purchase.

Claridge’s ArtSpace Café

Brook’s Mews 

London, W1K 4DY

Monday - Friday: 8am – 6pm

Saturday & Sunday: 10am – 5pm

Admission to the exhibition is free.

And by appointment: info@thewickculture.com, +44 7717 733891

Press View: Monday 23 September, 9 – 11am

Daria Blum will be performing throughout the run of the exhibition. Schedule to be announced: https://www.claridges.co.uk/claridges-artspace.

ENDS

For more information please contact

Katy Wickremesinghe katy@ktwlondon.com | +447717733891  

Veronika Kailich veronika@ktwlondon.com | +447849738605

Please find additional images here.

Notes to editors

Daria Blum (b. 1992 Switzerland, based in London) multiplies herself across video, song lyrics, photography, and live performance, using theatrical devices and autofiction to suggest how ‘breaking character’ can destabilise entrenched forms of engagement with the world. Blum graduated from the Royal Academy Schools in 2023. She has recently exhibited and performed at CAPC Musée d’Art Contemporain de Bordeaux; Ilenia, London (2024); Roskilde Festival, Denmark (2023); and at V.O Curations, Piccadilly Lights, and Kupfer in London (2022). Blum has written and released several songs in conjunction with her live performances.

Claridge’s ArtSpace is an art gallery unveiled at the legendary hotel in the heart of Mayfair in 2021. This space, designed by John Pawson, is accessed by the Claridge’s ArtSpace Café on the restored hotel façade on Brooks Mews. Claridge’s invites its long-standing friends and gallerists within the art world to stage rotating exhibitions and shows, and has approachability at its core, with free access to all. https://www.claridges.co.uk/claridges-artspace/

Claridge's, part of Maybourne, embodies grand English style, timeless glamour and intuitive and highly tailored service at the centre of London's Mayfair. It is London's art deco jewel, and home to elegant rooms and suites. From London's finest afternoon tea in The Foyer, to vintage champagnes at Claridge's Bar and The Fumoir, and cocktails at The Painter’s Room, all are part of the hotel's unique splendour and charm.  www.claridges.co.uk

The Royal Academy of Arts was founded by King George III in 1768. It has a unique position in being an independent, privately funded institution led by eminent artists and architects whose purpose is to be a clear, strong voice for art and artists. Its public programme promotes the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. The Royal Academy is an independent charity. It does not receive revenue funding from the government so is reliant upon the support of its visitors, donors, sponsors, patrons and loyal Friends. https://www.royalacademy.org.uk/

The Royal Academy Schools is an independent school of contemporary art that offers up to 17 students each year the opportunity to participate in a free, three-year, postgraduate programme. Founded in 1769, the RA Schools remain independent to this day. This independence enables the postgraduate programme to constantly adapt to the individual needs of each student. Discussion and debate are fuelled by a variety of lectures, artist talks, group critiques and tutorials given by leading contemporary artists, Royal Academicians, critics, writers and theorists. Graduates of the RA Schools have contributed to art and culture in the UK and internationally through art practice, education, research, curatorial practice and collaboration. Stretching back to 1769, graduates include William Blake and JMW Turner to living artists: Lynnette Yiadom-Boakye, Michael Armitage RA, Eddie Peake, Prem Sahib, Rebecca Ackroyd, Kobby Adi and Ayo Akingbade who exemplify the range of recent graduates. https://www.royalacademy.org.uk/the-ra-schools

The Claridge’s Royal Academy Schools Art Prize of £30,000 is awarded annually to a graduating student at the Royal Academy Schools and includes a solo exhibition at Claridge’s ArtSpace and exhibition production costs. Daria Blum was selected by judges Yinka Shonibare CBE, RA and Eva Rothschild RA during last year’s RA Schools Show.